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JUN MIYAKE "ENTROPATHY / Hoshi no Tama
no O"
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●CD_:_SONY
RECORDS/SONY MUSIC ENTERTAINMENT
SRCS-6881(1993/12/01) |
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●Reissue CD_:_CONSIPIO
RECORDS/AGENT
CON-SIPIO
Special Products A Service of Sony Music Entertainment(Japan)Inc.
COCD-9240(2000/10/25) |
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Title |
Words |
Music |
Arrange |
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1. |
ALTO |
・・・・・ |
Jun_Miyake |
Jun_Miyake |
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2. |
MA PUCE |
Jun Miyake
(French_translation : Evelyne_Benuu) |
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3. |
HER EXTRA EYEBALLS |
Chinatsu Kuzuu |
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4. |
ajisai |
・・・・・ |
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5. |
mahoroba no kuni |
Jun Miyake |
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6. |
shiroi te |
Jun Miyake
Satoshi Murakawa |
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7. |
CRIME PASSIONEL |
Sublime |
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8. |
ELLE |
Jun Miyake
(French_translation : Evelyne_Benuu) |
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9. |
BUILDING MAN |
Satoshi Murakawa
Sublime |
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10. |
DIE AUGEN DER SEELE(Tamashii no Hitomi) |
Jun Miyake
(German_translation : DEBORAH) |
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11. |
CA FAIT LONGTEMPS(Tokoharu no Shizuku) |
Satoshi Murakawa
Caoli Cano
Sublime |
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12. |
AQ-1 / BM-REPRISE |
・・・・・ |
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【 Produce 】 |
Jun Miyake & Hal Willner
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【 Personnel 】 |
- Jun Miyake : trumpet(2,3,5,6,8,9),flugelhorn(4,5,7,8,12),Pianica(1,9,11),programming(2,8,10),piano(1,9),recorder(5),whistle(5)
- Satoshi_Murakawa : vocal(5,9,11),hidden_vocal(6)
- Evelyne Bennu : vocal(2,8)
- Chinatsu Kuzuu : vocal(3)
- Masumi Hara : vocal(6)
- Sublime : vocal(7)
- Zach London : boy soprano(10)
- Yuki Maeda : soprano(10)
- Caoli Cano : vocal(11)
- Shuichi_Murakami : drums(3,6)
- Dairo Miyamoto : drums(1,9,11,12),percussion(1,5,9,12),timpani(2,7),cymbals(2),toms(5),saxes(1),baritone_sax(2),tenor_sax(5),clarinet(9),alto_sax(11)
- Getao Takahashi : baby_bass(1,3,6,7,9,12)
- Hitoshi Watanabe : acoustic_guitar(1,7),ukulele(9,11),mandocello(1),mandolin(5),
acoustic_bass(11)
- Shunji Tanaka : contra bass(10)
- Masahiro Itami : electric_guitar(1,2,6,9,12),acoustic_guitar(4,9,11),jamisen(1,12),charango(1),noises(4),ukulele(11)
- Haruo Kubota : electric guitar(1,6,8)
- Arto Lindsay : electric guitar(6,10)
- Marc Ribot : electric guitar(6,10)
- Don Alias : percussion(3,6,8,11)
- Pecker : percussion(6)
- Whacho : percussion(11)
- Hitoshi Hamada : marimba(11)
- Haruo Togashi : piano(6)
- Masahiro Sayama : piano(7)
- Anthony_Coleman : piano(10)
- Peter Scherer : electric piano(8)
- Yoichi Murata : trombone(9,10,12)
- Shin Kazuhara : trumpet section(2)
- Hal Willner : turntable(10)
- Aska Kaneko,Chieko Kinbara : violin(3,4,10)
- Kaori Takeuchi,Kuniyo Fukami,Keiko Shiga : violin(3,10)
- Tatsuya_Murakawa : viola(3,4,10)
- Udai Shika : cello(3,4,10)
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【 About This Album & JM (from CD) 】 |
About
three years ago, I received a tape of Jun Miyake's music through
a mutual friend.
The tape knocked me out ; in less than an hour I heard almost
every type of music on the earth pass by, in a consistent way
, by an artist who was obviously in control of the proceedings.
Jun has an incredible understanding and command of all musical
languages unlike anyone that I ever encountered ; and in my musical
travels, that is quite a fea. There is also a lunacy present,
which never got in the way of the overall vision. I wanted to
work with this guy !
The album takes the listener on a very unique journey always
guided by Jun's unique yet familliar arrangements and his trumpet
playing which shows up at the perfect moments. From the Caribbian,
island vibe of "Ca fait Longtemps", the Rudy Vallee
feel of "Building Man", and the 〈Orson
Welles Meets Z〉 world of "Crime
Passionel", this is a magical audio movie that strongly
holds together as one piece, while taking one through a surreal
history of music.
In my own work I have taken the strong catalogues of Thelonious
Monk, Nino Rota, Kurt Weil, Walt Disney and others, using artists
incliding Tom Waits, Sun Ra, and Gil Evans, Keith Richards and
Leonard Cohen, interpreting the music in my lifelong pursuit
in finding where these personalities meet. In Miyake we find
all of this in one person really.
His music is sophisticated but not hi-brow and always beautiful
while keeping a sense og humor.
Hal Willner
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